Alaska Airlines from Fresno Yosemite International Airport to Ketchikan International Airport

In the grand orchestration of air travel, Alaska Airlines plays an articulate symphony, its notes traced in the white contrails rending the infinite azure. To traverse the expanse from Fresno Yosemite International to Ketchikan International is to engage in a ballet, where metal birds pirouette in the cerulean theatre.

Poetry, perhaps, seems an unusual method of documenting the experience yet, borrowing from its rhythm, we can offer a depiction dissected of superfluous extravagances, penned firmly within the clinical realm.

Choosing whether to indulge in the opulence of First-class or to savour the practical sensibilities of Economy class is a solo dance before the titan's spectacle. A one-way pilgrimage encapsulates the flight's purity, whereas a round-trip chronicles a cyclical journey; comparable to Homeric narratives, sung in metallic throats of steel monoliths.

In-flight services act as an icing on the choreographed voyage. Languid hours burgeon into vibrant hues as considerate attendants in uncanny harmony bewitch the air, serving refreshments with aspirations akin to mesmerizing couplets from Lord Byron's works.

Beyond the simple assessment of flights and airfare lies the symphony's rhythm section. Non-stop flights hold salient appeal for those seeking an uninterrupted, swift pirouette skyward. Yet, the interleaved stanzas of a journey with layovers can read as a rich verse welcoming a change of scene.

Much like a Keatsian ode to the passage of time, the best time to book does not nod to a universal melody. Rather, it pirouettes to the beat of individual circumstance, bending and flexing in accordance with demand and supply – an invisible latticework underlying the poetic canvas.

Pre-established rules govern the choreography of the skies. Understanding one's mileage program crystallises into an intimate dialogue with a frequent flyer - a hushed whisper exchanged in the wings. Integrating into this secret dialogue, over time, soothes the initial shock of dissonant notes, aligning the personal rhythm with the soaring symphony of the airline.

Grace notes to the symphony are found in the unexpected – the flight cancellation policy is one such. Much like Master Shakespeare’s sudden tragic twists, this policy ensures the narrative's continuity, catch unexpected falls, and turn them into graceful pirouettes.

A random but intriguing factoid echoes in stanzas written about Alaska. The name itself originates from an Aleut term, 'Alyeska', meaning 'The Great Land’. Covering over 663,000 square miles, it is larger than Texas, California, and Montana combined – a startling revelation for the uninitiated, perfect for reciting over a goblet of nightcap during a red-eye flight.

The essence of our scholarly pursuits lies in the critical examination of airline reviews. Much as a seasoned poet pens nuanced verses reflecting the world, each review presents a unique verse, embodying a world of experiences, a shared human narrative spun on the spindle of air travel.

All culminating upon touchdown at Ketchikan International, a mosaic of emotions breathing life into the steel skins of the flying monoliths. Haunted by a sense of the ethereal, a ballet concluded – the dance on the air ends, leaving in its wake the echoing symphony of flight.

Alaska Airlines remains an unconventionally beauteous sonnet etched onto the parchment sky, the confluence of poetic imagination and clinical pragmatism. Providing the voluptuous satisfaction of a meticulously penned verse, the voyage from Fresno Yosemite International to Ketchikan International is ever an intricate dance in the sky – a choreographed miracle accessible by all but truly appreciated by those versed in the rhythm of the skies.